I visited the Science Centre today to check out Body Worlds. It was impressive to be sure, but I'm not sure I liked it very much. I see no point to it - educational purposes, well yes, but only to a very limited extent. I think most people know that smokers have black lungs (I forgot, someone viewing the exhibits said it loudly enough for every round me to hear), or would have read that somewhere. The whole exhibit seems more of one of artwork, rather than for scientific purposes, because I think medicine students have cadavers of their own to operate on, and hands-on experience works better than memory work will.
Seen as artwork, then. Even then I don't find it beautiful or precious. It's a combination of the bizarre and grotesque - yes, there's beauty in the strength of muscles and bone and fibre and vessel, but all the same I don't find it particularly uplifting nor peaceful to be surrounded by dead carcasses of men, women and animals, the plastination of whom seems to have a rather superficial purpose to me.
Perhaps I'm blind to something everyone else understands implicitly.
There was the red of muscle, but was it truly only that? The specimens stand erect in their journey after life, clothed in the red silicone that bequeaths them their longevity. Do the ghosts of these wax models visit at their glass graves? There must have been a hundred there at least.
And then, in the afternoon -
We swarm to the museums in hordes, to retire to the restaurants and malls in the afternoons and sit, drowsily fanning or reading, legs and minds and arms too stiff to commit ourselves to chatter and careless thought. Entire populations are each year steeped in such vapid lethargy, whiling away the summer hours there and elsewhere, perhaps, on the beach, amid too-hot metal railings and the rude orange cheeriness of over-large beach umbrellas. Or in the rows of polished cars parked in their respective pews like devoutees on Sundays, waiting, as they were waiting now, for a troublesome friend to make his way back and with only more work to look forward to after the long wait.
And today was another of those days. You know, those days when trees are swathed in a cocoon of gossamer light, when buildings throw shadows long, long over grey-hued floors; days when ordinary objects take on the psychedelic glow of props from a musical, when trees and houses jut from their usual places in viscereal three-dimensionality. Those days when birds flirt with the clouds and you can't help but smile, looking at their antics.
Seen as artwork, then. Even then I don't find it beautiful or precious. It's a combination of the bizarre and grotesque - yes, there's beauty in the strength of muscles and bone and fibre and vessel, but all the same I don't find it particularly uplifting nor peaceful to be surrounded by dead carcasses of men, women and animals, the plastination of whom seems to have a rather superficial purpose to me.
Perhaps I'm blind to something everyone else understands implicitly.
There was the red of muscle, but was it truly only that? The specimens stand erect in their journey after life, clothed in the red silicone that bequeaths them their longevity. Do the ghosts of these wax models visit at their glass graves? There must have been a hundred there at least.
And then, in the afternoon -
We swarm to the museums in hordes, to retire to the restaurants and malls in the afternoons and sit, drowsily fanning or reading, legs and minds and arms too stiff to commit ourselves to chatter and careless thought. Entire populations are each year steeped in such vapid lethargy, whiling away the summer hours there and elsewhere, perhaps, on the beach, amid too-hot metal railings and the rude orange cheeriness of over-large beach umbrellas. Or in the rows of polished cars parked in their respective pews like devoutees on Sundays, waiting, as they were waiting now, for a troublesome friend to make his way back and with only more work to look forward to after the long wait.
And today was another of those days. You know, those days when trees are swathed in a cocoon of gossamer light, when buildings throw shadows long, long over grey-hued floors; days when ordinary objects take on the psychedelic glow of props from a musical, when trees and houses jut from their usual places in viscereal three-dimensionality. Those days when birds flirt with the clouds and you can't help but smile, looking at their antics.
Current Mood:
chipper
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